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February 29, 2008

Flamenco gig in New Jersey

Halfway to New Jersey: two hours to go! February 24, 2008 12:55pm

It's 6:05am on Friday as I type these words. Yeah, I'm up early. My schedule has been crazy this week--been waking up early and sometimes not sleeping at all. Anywayz, since I'm up, I might as well crank out a quick blog documenting a gig I did in New Jersey last Sunday night with dancer Ricky Santiago and singer Hector Márquez.

Flamenco is challenging enough as it is. But add a four-hour drive on top of it and it's even more of a challenge! We got on the road at 11:00am with the intent of arriving at 3:00pm...just enough time to check out the theatre, do some run-throughs and chill before the 6:00pm curtain.

February 24, 2008 12:56pm

February 24, 2008 12:58pm

Welcome to Jersey! :-) February 24, 2008 3:18pm

Minutes after arriving at the theatre: Ricky Santiago, Miguelito and Hector Márquez running through the opening bulerías. February 24, 2008 3:40pm

February 24, 2008 3:54pm

February 24, 2008 5:25pm

Fine tuning the program order half an hour before showtime. February 24, 2008 5:28pm

Warming up in the "Green" room. February 24, 2008 5:37pm

Ricky, Hector and Miguelito. February 24, 2008 5:41pm

Ricky and Hector. February 24, 2008 6:22pm

Marylin Márquez, one of our lovely photographers during the performance. February 24, 2008 6:22pm

Ricky, Hector and Miguelito. February 24, 2008 6:40pm

February 24, 2008 6:41pm

Hector and Miguelito. February 24, 2008 6:42pm

Ricky, Hector and Miguelito. February 24, 2008 8:11pm

Miguelito. February 24, 2008 8:31pm

February 24, 2008 8:32pm

Show is over! Final bow. February 24, 2008 8:45pm

Hope you enjoyed this little peek behind-the-scenes of this gig in New Jersey. It was fun, the locals treated us like royalty and we all got more experience in pulling ourselves together and putting on a great show despite the long exhausting drive. For more pics from this gig, visit my Facebook album.

As for tonight (Friday), I'll be performing at Cabanas (202-944-4242) with dancers Emily Mazzotti and Isabelita Otero. See you there!

February 19, 2008

Going backstage at Lisner's flamenco festival

Marija Temo, Nati Leiva, Manolo Leiva, Carmen Linares and tour manager Lola in the green room at Lisner. February 9, 2008 10:11pm

It's 7:45am on Tuesday as I type these words. Yeah, believe it or not, I'm really up at this hour mostly because I came home before midnight last night for a change. Cafe Citron was a blast (stay tuned for a blog later) but my usual stop at Ozio afterwards didn't happen cuz they were closed for the President's Day holiday. Ugh.

Since I'm up I might as well publish some backstage pics from the flamenco festival. For those of you who weren't aware, Lisner Auditorium hosted their 8th annual flamenco festival last week. This was the schedule:

Saturday February 9, 2008 Cuatro Esquinas featuring Carmen Linares, Miguel Poveda, Juan Carlos Romero and Pastora Galván.
Sunday February 10, 2008 Tomatito Quintet featuring Tomatito, El Cristi, Lucky Losada, La Tana and José Maya
Tuesday February 12, 2008 Gala Flamenca: Mujeres featuring Merche Esmeralda, Belén Maya, Rocío Molina and Diana Navarro
Thursday and Friday February 14-15, 2008 Ballet Flamenco Eva Yerbabuena

Pastora Galván and Marija Temo. February 9, 2008

I've been helping with promotion of Lisner's Flamenco Festival from its beginnings. (I can even remember helping out with promotion of Paco Peña's Flamenco Fire at Lisner in 1991 way before the flamenco festival existed!) So in exchange for all my hard work (website announcements and pounding the pavement dropping off festival flyers where flamencos hangout etc), I get a few comp tickets. Unfortunately, one of the drawbacks of being one of DC's busiest flamenco performers is that I'm usually working on the nights when the flamenco festival concerts take place.

The opening night of the festival, my singer friend Hector Márquez and I left Tapeo right after my gig and made it backstage at Lisner right as they were doing the fin de fiesta encore. We couldn't see the stage, but we could hear the music, dancing and the enthusiastic applause and jaleos. So Hector and I were the first ones to congratulate the performers as they made their way to the dressing room. Being performers ourselves (of course not in the same league as the likes of Carmen Linares, Miguel Poveda etc) we knew to stay out of their way. All I did was drop a simple "Felicitaciones!" as they whizzed by. There would be time for pictures and chatting later.

Hector Márquez, Emily, Cecilia Terrasa, Midori, Miguel Poveda, Kike and Behzad Habibzai on the steps just outside the stage door at Lisner. February 9, 2008 11:19pm

So you must be wondering, "What do you say to the artists when you meet them backstage?" I used to dwell on that thought long ago, but since I've been doing this a lot over the years (going backstage), it's no big deal anymore. A simple congratulations will do. Think about it. The artists are usually exhausted from the performance but they also realize that these backstage meetings are important too. Celebrities (like Jaleo's José Andres), Spanish dignitaries (like the ambassador of Spain) and other VIP's usually come backstage and schmooze and besides, they do represent organizations that sponsor the festival!

Other people such as myself and other local flamencos come backstage to shake the hands and thank these amazing artists who have been an inspiration to us. So just relax, say what you want to say and don't overstay your welcome. Of course, in my case, I do have the self-appointed duty of documenting these backstage visits with pics. Besides the bragging rights of being able to say "I met so-and-so backstage," I believe it's important that these artists are made aware of the fact that we do have an appreciative and knowledgable flamenco community here in DC.

And yeah, I know that the taking of pics of the artists can be an imposition. I probably know that more than anyone else since I take more pics of flamenco performers than anyone in the DC area! But I gotta do it. Sometimes I ask first. Sometimes I just do it cuz if I ask, they'll say something like, "Well, let me check if it's OK with the tour manager," and then as I wait, the photographic moment is lost. In any case, I don't just randomly point my camera and press the shutter button every two seconds. No way. Anywayz, you get my gist of backstage etiquette.

Carlos Grilo and Behzad Habibzai. February 9, 2008 11:37pm

So this past Friday, my gig at Cabanas was cancelled for a private party and as a result I was freed up to attend the concert by Ballet Flamenco Eva Yerbabuena, yay! I called up my dancer friend Cindy, invited her to join me, met up at Lisner, picked up our free tickets (thank you Carl!), grabbed our seats and, just as we expected, enjoyed a very inspiring performance by Eva Yerbabuena and company.

Kike, Juan Carlos Romero and Behzad Habibzai. February 9, 2008 11:51pm

Ninety minutes later (there was no intermission) the house lights came back on and the crowd (a full house) exited to the lobby. Cool thing about the flamenco festival is that it brings out the whole DC flamenco community. There were many many faces (and you know that I know a LOT of people) that I hadn't seen in a while. The problem though is that I can't catch-up with everyone. While I'm chatting with one old friend, I see a whole bunch of others out of the corner of my eye. Five minutes later I look again and they're gone or deep into a conversation with another friend. Ugh. Half-an-hour later after catching up with a few local flamencos, Cindy and I head backstage.

Of course by this time, they have the security guard standing at the backstage door. Strangely, there were no other people waiting--I figured they were already backstage. So I tell the guard, "Good evening, we're here to meet the artists."

"Sorry, can't do that without authorization."

"It's cool. I'm a member of the press. Check with Carl or Rosanna. They know me."

"Sorry sir, I can't communicate with them right now. You'll have to wait for the artists to come out."

"OK, we'll wait," and sure enough someone (not one of the artists) came out and I shouted, "We're here to meet the artists."

"What is your name?"

"Miguelito."

Five minutes later, someone comes out and motions for me to come in. We go backstage and pause for a moment before entering the green room (it's where the artists hang out backstage) to compose ourselves. I assumed that a bunch of the local flamencos were in there already schmoozing with the artists and that I'd just go around the room and casually ask to take pics etc.

I entered and the room fell silent. I looked around and it was just the artists including Eva Yerbabuena herself! All eyes were on me and I had to think of something to say and sure enough I did. I impressed myself with my Spanish speaking ability and said something like:

"My name is Miguel Perez and I represent the flamenco community here in Washington. Just wanted to say on behalf of the community 'Congratulations.' The concert this evening was very inspiring. Forgive me for not knowing all your names. From where we were seated I could not clearly see all of your faces."

Actually I could see their faces, but I wanted them to introduce themselves. Guitarist Paco Jarana came forward shook my hand and introduced me to everyone including Eva herself. I simply said "Felicitaciones" to each of the artists and quietly left the room. It did cross my mind to pull out my camera but I didn't.

So Cindy and I stood just outside the green room for a few minutes--she confesses she is a bit anti-social (read: shy). I could see Eva sitting comfortably on the couch probably glad to finally sit down and relax after the evening's performance. She got up and walked in our direction. I assumed she was going to the stage area to talk to the staff or something.

Eva stopped in front of us and extended her hand to Cindy and thanked her for coming backstage. Wow! I was floored. The star of the show came to us! I explained to Eva that Cindy is a local flamenco dance student. The conversation continued briefly but I was still in awe of the fact that Eva came to us. Hmmmm...while I am a member of the press, and a representative of the local flamenco community, I can't deny the fact that I am, just as many of us are, still just a groupie! :-)

Haven't found a review of the Eva's DC performance, but here's one from the Boston show and another from the New York show.

As for tonight (Tuesday) I'll be performing at Las Tapas (703-836-4000) with Sarah Hart and Claudia. See you there!

February 18, 2008

Flamenco at Tapeo and Jason & Richard's birthday at Bambule

Ginette dancing soleá at Tapeo. February 16, 2008 9:15pm (photo by Jani)

It's 5:44pm on Monday as I type these words. Been a busy day, but I still wanted to squeeze in a quick blog entry with some random pics from Saturday night--a very enjoyable night by the way. Besides my usual Saturday night flamenco show at Tapeo (where Ginette was the dancer for the evening and in the words of one audience member: "Gin rocked the house!"), I helped put together a birthday party for my flamenco buddies Jason Vera y Aragón and Richard Marlow.

February 16, 2008 9:18pm (photo by Jani)

February 16, 2008 9:24pm (photo by Jani)

When the show was over, I packed up my sound system as quickly as I could and caravaned with Ginette, Serenity, Rachel, Carol and Jani up to Bambule. Isabelita met up with us at the door. The bouncer recognized me and gave us a break on the cover charge, yay! We arrived just as the party was getting off the ground. A very young student dancer named Mariana was giving a little show as guitarists Richard Marlow and Gerard Moreno played rumbas.

Mariana dancing rumba at Bambule. February 16, 2008 11:07pm

February 16, 2008 11:07pm

February 16, 2008 11:08pm

Gerard Moreno and Richard Marlow. February 16, 2008 11:13pm

Ginette, Serenity, Isabelita and Carol. February 16, 2008 11:14pm

Jason Vera y Aragón and Mariana. February 16, 2008 11:16pm

Birthday cake for Jason and Richard. February 16, 2008 11:43pm

Bethany, Serenity, Jani, Indira, Isabelita and Ginette. February 16, 2008 11:45pm

Jason, Isabelita and Miguelito. February 17, 2008 1:53am

Forgive me if the selection of pics seems kind of slim today, but I'm sort of in a rush to get out the door since I still have to pick up my sound system from one club and transport it to Cafe Citron, not to mention set it up along with the lights, warm up my hands and chill for a little while before the show. Hope to see you there! As usual, we'll head over to Ozio Lounge to continue the party with the rumba group Duende Camarón.

If you wanna see more, I do have a larger selection of pics from the party in my Facebook album. Ciao for now!

February 8, 2008

Flamenco Dance on Stage...Starring You! - February 7, 2008

My "corner" of the stage. February 7, 2008 6:31pm

It's 2:39am on Friday as I type these words. It's movie night again at my place (still haven't come up with a cool name like we did for the Pink Flamenco). Had a friend over and we watched a DVD. Just one though cuz I also wanted to squeeze in a blog entry before going to bed.

So last night (Thursday) I played guitar for a dance workshop taught by Sara Jerez. The program was titled "Flamenco Dance on Lisner's Stage...Starring You!" It's been a part of the flamenco festival every year since 2005. Cool thing about it is that it allows the public to get an informal taste of what it's like to be onstage, in the fact, the very same stage that some of the world's top flamenco performers will be performing on starting this Saturday with Miguel Poveda, Carmen Linares, Juan Carlos Romero and Pastora Galvan! (Please tell me you've already bought your tickets.)

This program "Flamenco Dance on Lisner's Stage...Starring You!" is also an opportunity for the public to meet some of the local flamenco dance teachers and performers, get their contact info and perhaps continue with more classes on a formal basis.

Rehearsing before the students arrived. February 7, 2008 6:49pm (photo by John Vazquez)

The class was scheduled to start at 7:00pm but I was supposed to get there 6:00pm-ish and do a soundcheck. The sound guy Danny set me up with a mic on a boomstand, a comfortable armless chair and a monitor speaker so I could hear myself amidst all the foot stomping (very important!). Total professional. Not to say that tweaking the sound for flamenco guitar is easy, but we were done in a matter of minutes. So I had plenty of time to chill.

A reporter was coming to interview me and Sara a little later, but I texted him to let him know I was already free. Lo and behold, as I was about to run out to Starbucks for a doppio, I ran into reporter John Vazquez in the lobby, said hello, and invited him back into the theater where he could interview me in relatively quiet surroundings. In the lobby there was all kinds of activity going on with the theater staff, people buying tickets and the employees from Jaleo setting up their food and wine tables.

Lisner seats about 1500. February 7, 2008 6:59pm

So we entered the theater and found a spot right in front of the stage. John pulled out one of those fancy handheld digital recorders, the kind with stereo mics and sound quality suitable for professional podcasts. Gotta get myself one of those! Anywayz, John will be reporting on the whole flamenco festival and I'll publish the link when it's available.

Sara's chatting with reporter John Vazquez from the online publication La Pluma Digital. February 7, 2008 7:00pm

The class was well-attended (in fact it was sold out!). There were about 30 students. Sara divided them up into three lines to fit them comfortably on the tablao on the stage. She began the class by introducing herself and yours truly. In the interest of saving time and getting into the dance, Sara skipped the mini-lecture about the history of flamenco.

The palo for the class: farruca. Originally this was considered exclusively a man's dance. Dancers like the legendary Carmen Amaya (1913-1963) changed that tradition by wearing pants and learning the intricate footwork style previously only performed by males. In any case, the rhythmic phrase is in 4/4 and is relatively easy to pick up for the newbie in an hour-long class.

Interestingly, the choreography that she taught for this class is very similar to the one that Sara herself learned when she was taking her first flamenco classes with another local dance teacher named Ziva about 12 years ago. I know because I was the guitarist in that class! Little did I know that Sara would become a professional dancer years later and would teach this choreography in educational presentations such as this one.

View from my chair. In a few minutes, this stage tablao will be filled with 30 dance students. February 7, 2008 7:01pm

Sara covered some of the basic vocabulary. In particular, she introduced the students to the names of the different parts of the shoe:

punta or toe
tacón or heel
planta or ball of foot
golpe striking of the whole foot on the floor

Soon afterwards, she launched into a very basic footwork pattern for farruca. The class picked it up pretty quickly and as expected, during the "easy" sections, they speeded up the tempo. It's a natural tendency considering the excitement of dancing on a real stage with professional lighting and an imaginary audience of 1500 adoring fans. Not to mention having live guitar accompaniment from a semi-famous flamenco guitarist: me! :-)

People recognized me: in fact there were at least a few students who winked or waved at me during the class. And afterwards some of them came up to meet me and complimented me on my website.

February 7, 2008 8:25pm (photo by John Vazquez)

About halfway into the class I noticed that local flamenco gurus Ana Martinez and Paco de Málaga quietly entered the theatre and sat in the last row of the orchestra section seating area. They were trying to be discreet, but c'mon I know who they are: they are local legends. And having them out there made me feel like I had a very discerning audience to play for. Not to mention the fact that my guitar was being amplified and filling the theater with sound. Every little nuance, good and bad, was there for Paco and Ana to hear.

It's a good thing though. Earlier when John was interviewing me he asked me about how I got involved in the local flamenco scene and I told him a little anecdote about how when I first arrived in DC in 1991 and went to a tablao called El Bodegón (now closed) and saw a performance by Paco and Ana, little did I know that I too would become a performer on that same stage a mere six years later. In a way, Paco has been kind of like a flamenco father to me: always encouraging me, passing on his wisdom and not afraid of telling me like it is. I only took a few guitar lessons from him but his informal guidance over the past sixteen years that I've performed in DC has been very valuable to me as a flamenco.

Sara Jerez and Miguelito. February 7, 2008 9:07pm (photo by John Vazquez)

I asked Paco what he has been up to these days, since he no longer works at the Guitar Gallery. He said to me, "Now I'm enjoying my life." It's all relative of course, he did for living what satisfied his soul: playing flamenco. That and he sold guitars. But now that he's retired, so to speak, he's traveling and now that he's not performing as frequently as he did in the past, he's free (unlike myself) to attend all the concerts in the flamenco festival.

Ironically, as a longtime promoter of the flamenco festival I do have the privilege of getting free tickets, but I can't always take advantage of that privilege. The drawback of being a busy local performer!

After the class, Sara ran backstage, quickly changed into costume, came back out and performed a Guajiras while her students watched. Applause, applause. Sara plugged my website. I passed out my flyers (see below) which incidentally I whipped up in five minutes at the Kinko's near my house before heading to the theatre. Couldn't pass up this opportunity to promote the local flamenco scene!

The flyer I passed out at the end of the class.

After packing up my guitar and thanking the sound technician (very important!) I made my way out to the lobby to enjoy the Spanish wine and cheese reception sponsored by Jaleo. The lavish spread included

Endives with goat cheese, oranges and almonds
Pasamontés Manchego – Mild sheep’s milk cheese
Idiazábal - Pleasantly sharp, smoky sheep's milk cheese
Garrotxa - Semi-soft ash rind goat cheese
Picón – Goat, sheep and cow’s milk blue cheese
Tortilla española
A selection of red and white Spanish wines.

I chatted a bit Carl Graci, Lisner's marketing manager and Claudia, a member of the theatre staff. Met a prospective guitar student named Chris and a couple of dancers, Carolina and Kirsten, who are fans of my website. Little by little, I'm drawing more and more people into the local flamenco community. I enjoy doing it. Hopefully I'll see some more new faces at upcoming flamenco performances and social events.

I was tempted to stick around for the dance class to be taught by Ana Martinez, with accompaniment by Paco de Málaga but I had way too much to drink on an empty stomach and seriously needed to get some dinner. The tapas were good, though, but they didn't fill me up.

It's 2:00pm and I better get out of the house while the weather's still beautiful and enjoy the day. As for tonight, I'll be performing at Cabanas in Georgetown with Ginette Perea and Shahram. See you there!

P.S. If you haven't bought your tickets for Lisner's Flamenco Festival already, DO IT NOW!