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January 31, 2008

Flamenco night at Cafe Citron. January 28, 2008

Ginette Perea dancing soleá at Cafe Citron. January 28, 2008 9:40pm (photo by Jani)

It's 12:42am on Thursday as I type these words. Just got back from Cafe Bonaparte (in Georgetown) where guitarist Behzad Habibzai and singer Carlton Ashton were performing for the first time at this venue since October 2006! Not sure if this will become a regular gig, but I'll announce it here when I get confirmed info from Behzad.

Anywayz, this past Monday I performed at Cafe Citron as usual with Gerard Moreno, but the special surprise was having dancer Ginette Perea joining us. It's been a while since she's performed here. And fortunately, my friend Jani gladly volunteered to be my photographer for the evening. Thanks Jani! No further commentary this time--just publishing pics for a quick blog entry here so I can go to bed early for a change and catch up on sleep. Enjoy!

Ginette. January 28, 2008 9:40pm (photo by Jani)

Miguelito and Gerard Moreno playing a rumba. January 28, 2008 9:43pm (photo by Jani)

Gerard. January 28, 2008 9:44pm (photo by Jani)

Miguelito. January 28, 2008 9:44pm (photo by Jani)

Ginette. January 28, 2008 9:49pm (photo by Jani)

Ginette. January 28, 2008 9:49pm (photo by Jani)

Ginette. January 28, 2008 9:49pm (photo by Jani)

Ginette. January 28, 2008 9:51pm (photo by Jani)

In other news, La Tasca managing partner Shana McKillop talks about the Virginia sangría ban in the Wednesday edition of the Fairfax Times.

Tamara Sol informs me that the Tuesday night flamenco show is back again at Red Maple in Baltimore.

And this Friday February 1, 2008, Duende Camarón is having a CD release party at Tutto Bene in Arlington. That's right! They have a brand new CD titled King Street. You can preview some of the tracks on their MySpace profile.


Reminder: this Saturday February 2, 2008, the Paco Peña Flamenco Dance Company is performing at the Robert E. Parilla Performing Arts Center in Rockville.

Also, if you haven't bought your tickets already for the upcoming flamenco festival at Lisner Auditorium, DO IT NOW! Here's the schedule...

Thursday February 7, 2008 at 7pm and 9pm: Flamenco Dance on Stage...Starring You!. 7pm class taught by Sara Jerez-Marlow with accompaniment by Miguelito. 9pm class taught by Ana Martinez with guitarist Paco de Málaga. Spanish wine and cheese reception at 8pm.

Saturday February 9, 2008 at 8:00pm: Cuatro Esquinas (Four Corners) featuring Carmen Linares, Miguel Poveda, Juan Carlos Romero & Pastora Galván.

Sunday February 10, 2008 at 7:00pm: Tomatito Quintet featuring dancer José Maya.

Tuesday February 12, 2008 at 8:00pm: Gala Flamenca: Mujeres featuring Merche Esmeralda, Belén Maya & Rocío Molina with special guest Diana Navarro.

Thursday and Friday February 14 & 15 2008 at 8:00pm: Ballet Flamenco Eva la Yerbabuena in Santo y Seña.

Finally, Juan del Valle is back in town from February 9-24, 2008 to give choreography and technique workshops galore at Joy of Motion. Juan and Furia Flamenca will also be performing on Sunday February 24, 2008 in a concert titled La Magia del Flamenco at the Jack Guidone Theatre.

Whew! I think that covers it all. February is definitely a flamenco-filled month!

January 28, 2008

Normally I don't do weddings, but I'll make an exception :-)

Jason Vera y Aragón and Claudia dancing Sevillanas at La Tasca in Clarendon. January 18, 2008 8:38pm

It's 10:04am on Monday as I type these words. Been a busy, but fun, week! And yeah, I know I haven't blogged in a loooong time (three weeks!) but either I've been uninspired or just too tired to write anything. I do have a number of concerned readers out there who sent me emails to check up on me, thanks to you all, I appreciate it!

Anywayz, business at just about all the flamenco and Sevillanas venues has been going up and down (mostly down) during the winter season. If you recall I was practically laid off for two weeks around Christmas and New Year's. Didn't take it personally of course. I treated it like a vacation and so when I wasn't working on a night that I normally had a gig, I'd go check out local performances by some of my fellow flamencos.

The pics you see here, however, are from mid-January. I figure that you've seen plenty of pics from my show at Citron and not enough of say, La Tasca. And besides, this particular branch of the Spanish restaurant chain is only two metro stops from my house. How convenient!

January 18, 2008 8:44pm

So yesterday, I had a wedding gig. Big deal, just another gig, right? Nope. This was a wedding by a close friend of mine. I'm not going to bore you with all the details, I'll just say that a few months ago when she asked me if I'd like to provide the music for the whole ceremony, I felt very privileged and said yes!

She and her now-husband both love flamenco (and in fact I first met both of them, on separate occasions at my gig at Cafe Citron!) so while I do have a classical repertoire to draw from, they were both open to using flamenco for the ceremony itself, yay! At first she left it up to me to decide on the music myself, but I insisted that she listen to some recordings at her own leisure and get back to me with some pieces that best represented the mood she was going for. Thing is that while I might have my own ideas of what works well in a ceremony, it would be more meaningful to me as a friend if she picked the music herself. And OK, she does like flamenco, so in my book, automatically she already has great musical taste. :-)

A month before the wedding, we met at her office to discuss the details of the ceremony and as far as selecting pieces, we used YouTube to help narrow down the list. Yes there are a lot of flamenco guitar videos on there! In a matter of minutes, she chose three pieces (two flamenco and one classical Spanish). And from that day until the wedding, I had my work cut out for me. The assignment: learn those songs!

January 18, 2008 8:44pm

The day of the wedding, I got up around 9am, practiced a little, chatted online with a friend, got dressed and was out the door by 10:30am, got on the metro and arrived 11:00am-ish. The ceremony was scheduled for 12:30pm, but I wanted to get there early enough to setup my sound system and warm up.

So I enter the ballroom with guitar and sound system in tow and saw that the DJ setup his gear where I was supposed to setup. Ugh. This is typical at most weddings that I've been to: a competition for prime location between the DJ and the musicians. It's OK, though, I'm a pro which means I move on and make the best of the situation--just made a mental note to inquire about the arrival time of the DJ the next time I do a wedding gig. :-) I setup my system in the adjacent alcove. So far so good, right?

Well, when I was about the enter another room to hide away my luggage cart and equipment cases, I turned the fancy brass door handle not knowing it had a really strong spring and when I released it, the handle snapped back and chipped my thumb nail. Ugh. Was I annoyed? Yes! But I wasn't panicking though. I could file away the rough edges and still play just fine. But it's just so much better when I have the nail at the perfect length.Thank God, I've had past experience with this kind of situation. Long story short, I made do with whatever nail repair supplies I could find in my guitar case and patched together a new thumb nail with 20 minutes to spare before the ceremony! Whew!

January 18, 2008 8:46pm

There was no rehearsal for this wedding. Just a very detailed information sheet with rundown of the ceremony. I would be getting my cues from someone else which definitely took a load of stress off my back!

First cue: play Vicente Amigo's Tres Notas para Decir Te Quiero while the groom and entourage awaited at the altar. I played it much slower than on the recording. Kind of like a more romantic version. And yeah, I used a digital loop machine and recorded the accompaniment live: laid back arpeggios instead of rasgueados to better suit the ambience while I played Vicente's beautiful catchy melody on top.

A little info about the location: the building was constructed in 1901 and "has retained much of its original architectural detail, including a sweeping circular staircase, finely crafted wall friezes, intricate crown and ceiling molding, carved oak doors, marble fireplace mantles, and the original brass hardware." The ballroom has a very light and airy feel with all-white walls and tall windows bathing the room in natural light. It was an intimate ceremony with only about 40 guests--many from other parts of the globe and as far away as India!

Next cue: wait for the main double doors to open as my friend, the bride, made her entrance. The music: Asturias by Isaac Albéniz. I was only supposed to play the arpeggiated section of this very famous piece which by the way, was originally written for piano. Again I slowed it down to suit the mood of the moment. My friend, who is very beautiful already, looked even more so in her strapless wedding gown. Wow! I almost lost the beat when I first saw her, seriously! And while I was supposed to play this for several minutes (according to the detailed ceremony program), in actuality, I only played it for 30 seconds. Just long enough for her to make the procession from the doors, down the aisle and unite with her soon-to-be-husband at the altar.

The minister caught my eye as if to say, "Good job musician dude, you can stop now. Seriously now would be a good time!" So I continued the melody until I could find a place to end the piece in musically appropriate place.

The minister made the traditional opening remarks, followed by readings of literary works that have a special meaning for the bride and groom. Next came the exchange of vows and rings and finally, the best part where the minister says, "I now pronounce you husband and wife."

The last cue was when he presented the newlyweds. The music: La Barrosa by Paco de Lucía. For those of you who don't know, it's an alegrías which means "happiness." Very appropriate!

I was very happy for my friend of course. Never thought I'd actually see the day she'd be walking down the aisle. I can still remember the day we celebrated Un-Valentine's Day several years ago. Well, everything changes eventually as we all know and she'll be celebrating her first Valentine's with her new husband!

OK, it's noon and I already spent way too much time in front of the computer today. Need some fresh air and I'm in the mood to go see a movie this afternoon. I'll be at Cafe Citron tonight doing what I love: playing flamenco with a dancer and a singer. Hope to see you there!

Other news flashes: SIMOF, the flamenco world's biggest fashion event, starts this week and the legal debate goes on about whether or not sangria should be illegal in Virginia.

January 5, 2008

Goodbye Pink Flamenco! :-(

Sandra the do-it-yourselfer fixin' up the future Pink Flamenco. September 26, 2003 6:43pm

A little more than four years ago, my friend Sandra had this idea of setting up a sort of arts center at this house in Chevy Chase, Maryland. Artistic people would live there and be responsible for setting up arts-related events: house concerts, dance workshops, arts-themed parties, painting and photo exhibitions. I already had a comfortable place to live at the time and it never crossed my mind that I would eventually become one of the artists-in-residence. But as luck would have it, in the summer of 2005, I needed to find a new place to live just when Sandra was looking for a new tenant for the house, which at the time she called the Pink Flea. Being a flamenco dancer herself, she was thrilled with the idea of having one of the DC area's most well-known flamencos (that's ME!) living there, so she renamed it the Pink Flamenco.

As silly as the name sounds, it stuck. Mention Pink Flamenco to anyone who's been actively involved in the DC flamenco scene the past few years and they'll know exactly what you're talking about and can probably tell you about a number of funny stories from one of the many fun nights we've had there over the years.

This building used to be a dental office and in fact each of the rooms on the ground floor had a dental chair complete with all the drills and lights etc. I can remember having a Halloween party there in 2003, and my dancer friend, Tamara, came dressed as a sexy scientist...

She's a little messy but it's OK, she's still in medical school. October 31, 2003 10:57pm

So just for fun, we had her pretend to do some dental work on one of the party guests. The house in its messy state of being halfway remodeled was perfect for the Halloween haunted house look. I brought colored lights, strobes and a fog machine to complete the scary effect. We partied until 4:00am of course. Good times!

Miguelito and Ginette at the first dance rehearsal in what would later become the Pink Flamenco. November 13, 2003 6:41pm

A few weeks later, the house was starting to shape up and my dancer friend Ginette wanted to rehearse somewhere so I thought I'd we would go checkout the condition of the future Pink Flamenco studio. Although it was a bit messy, it had just about everything we needed: wood floor, mirrors and plenty of space to dance!

This place became our regular practice space since it was pretty much available whenever we needed it. A few years later though they started having yoga classes here (taught by another dancer friend of mine) and they decided to paint the floor and give it a more serene clean look. Unfortunately, we weren't allowed to dance on the studio floor cuz they didn't want us to mess up the beautiful paint job which I totally understand. But now we had no place to dance. Pffft! So one time, we had no other studios available and the only way they'd allow flamenco here was if the dancers took off their shoes and danced in their socks. Ugh.

The recently painted floor. July 16, 2005 3:27pm

A few months later, I moved in to the Pink Flamenco...

Door to my room via the dance studio. September 4, 2005 7:18pm

Here's an excerpt from a blog I wrote my second night there:

...I spent last night in my new place at the Pink Flamenco (a group house for artists near Bambule).

The place is furnished with a very eclectic mish-mash of mostly old furniture. I've rehearsed here a number of times with various dancers over the years--just never thought I'd actually be living here.

When it came to choosing a room, I selected the one by the dance studio. It's kind of like my dream home. Remember in Carlos Saura's Carmen? Where Antonio Gades walks out of his bedroom straight into his enormous studio, presses a remote control and the curtains slowly open letting in the morning sunlight...

OK, well it wasn't like that in reality. But it was still very cool having a dance studio next to my room!

My computer desk where I wrote blogs and updated my website for two years here at the Pink Flamenco. September 13, 2005 1:13am

Here's another blog entry I wrote after living there a few months...

Got up like an hour ago when I heard my housemates talking in the kitchen. (One of them came to my show last night at Cafe Bonaparte, yay!)

Life is good here in the Pink Flamenco House. I live with artistically-minded people: Russ does his painting and Ivana does her art curator stuff (whatever that entails). We respect each other's personal space and lifestyle and we're all quiet (when we want to be) and clean (without being neat freaks). One of my friends joked that we should be on one of those reality shows, but I don't think so. The show would be soooo boring cuz there's no drama here--at least not between us housemates.

Anywayz, during the two years I lived there, I celebrated the 10th anniversary of my website, hosted an acoustic rock night (see pic below) and had lots of flamenco parties, some planned, like the many sala rocieras and some spontaneous usually late at night with the cooperation of my very tolerant housemates who were late night owls anyway.

Sandra, Russ and Craig at acoustic rock night. January 21, 2006 11:28pm

One of many flamenco parties. April 29, 2006 12:39am

Life in the house was pretty awesome. Besides, Russ and I who were the long term residents there, it so happened we always had beautiful female housemates (not that we discriminated against guys) living upstairs who all happened to be dancers. First we had this girl from Bolivia named Ivana who was an art curator and a tango dancer. Then local flamenco dance student Emily moved in for a few months. Then Vicky, a serious mambo dancer lived here awhile. And our last housemate to move in was Bethany, a swing dancer who usually came to the flamenco parties and taught some of us the basic steps of swing.

Our dance studio was really put to good use. In addition to my regular rehearsals here with my favorite dancers there were dance classes too. Read this excerpt from a previous blog...

...but what was interesting was when I came home at 10:30pm (early for me). As I approached the Pink Flamenco I could barely make out through the blinds a couple dancing in the studio. Then it dawned upon me that a private Argentine tango lesson was in progress. There's a weekly class earlier in the evening but this was another tango instructor (who has worked with Shakira and Madonna!) who gives private lessons here occasionally. So instead of lugging my sound equipment through da studio and disrupting the lesson I went through the back and pulled all 100 pounds of music gear up the stairs one step at a time. Cue the sound effects: clunk, clunk, cluk, ow!, clunk. ow! :-)

I planted myself at the computer in the back and basically surfed the Net until the lesson was over. I was a little annoyed that I couldn't go to my room--actually I could have but that would've interrupted the lesson. I decided to pass the time browsing friendster and myspace for people interested in flamenco so I could add more friends to my profile. La de da de da.

Anyhoo, little by little I was seduced by the sound of tango music. It was playing on a tiny boombox with low-quality speakers that actually enhanced the tango experience. I could hear the crackle and pop that's typical of vinyl records giving the recording a nostalgic kind of feeling.

Although this was a private lesson, I was surprised to hear very little teaching going on. Must've been an advanced student cuz I imagine he had the basics down cold and was just focusing on subtle style improvements as the teacher made non-verbal corrections. No foot stomping of course, but I could hear the creak of the floor as they tango'd around the studio.

Occasionally the teacher would mutter some instruction but I didn't try to listen. It was followed immediately by some laughter. They were having a good time. Nice. I love living here. There's always something artistic going on...from my mambo dancer roommate upstairs practicing to my artist roommate working on his latest painting.

Practicin' at the Pink Flamenco. May 3, 2006 12:45pm

Usually during the day, I had the place all to myself while my housemates who were either college students with classes to go to or had day jobs to fund their artistic pursuits.

Fast forward to the summer of 2007. My brother and his wife who were living in our family-owned condo in Rosslyn, moved out and so I took advantage of the opportunity to move in.

Shortly after that, Russ bought himself a condo near Dupont Circle. And Bethany became the head of the Pink Flamenco household. Another girl, that I never got to meet, moved in to Russ' old room. My room remained vacant since I moved out.

In December, building inspectors representing Montgomery County condemned the Pink Flamenco as uninhabitable and Bethany and the new girl had 24 hours to move out or else.

Here's Bethany's account originally published in her MySpace blog and republished here with her permission:

I find myself in a new and interesting predicament: homeless, and in the middle of winter. As of yesterday, my house was declared condemned and I was given 24 hours to get out, or else. The strong-willed side of me chooses the "else" option, knowing my living arrangement is actually very clean and comfortable and this is mostly a game of politics. But, the realistic side of me knows I need to find some storage space and a new living arrangement pronto. Then theres the gray in-between time, where I will most likely try to get away with staying at my condemned house regardless of the notice. Afterall, as I was told, the people who condemned it dont actually have jurisdiction over the interior of a technically commercially licensed building. The problem, however, is that if I make these guys mad, they can easily call the fire marshall and have me forcibly removed. I figure that might take a little time, though, which might buy me a little time, which might be all I need. It is, afterall, the weekend, a prime time to house-hunt.

I've been offered couches and floors around the MD/VA area, but not really by anyone who I feel wouldnt be wholly inconvenienced by my presence, or they are just too far away. I cant even begin to express my feelings on the situation just yet. Yesterday was a lot of crying, today will be a lot of foot work. And then I have to be at work tonight with a fake smile to give seats to uppity people, some of whom have never experienced a single hardship in their lives save that the wrong toppings were placed on their pizza. It will not be easy to hold it together and keep my compsure if anyone even so much as complains about something petty. I might just tell them to stuff it.

I dont really know why this stuff keeps happening to me, but Ive had just about enough of this victim crap. I think maybe its time to bag all of this and move on to something else. I dont really even know how to do that, though. Maybe I dont need to know...

It's official: the Pink Flamenco has been condemned! January 5, 2008 5:30pm

There's nobody living in the Pink Flamenco now. And since we're not legally allowed to enter the house, we can't even host any more parties there. Had lots of good times (many of which are documented here in numerous blog entries over the years, thank you very much!), so the Pink Flamenco will still live on in our hearts and minds. It wasn't fancy or luxurious, but it was comfortable and it had lots of character, not to mention the fact that we had our own very convenient private parking lot--a definite plus for when we have parties and dance classes! More importantly, we had nothing but the coolest artistic housemates living there and fun and interesting friends partying with us all the time. But we know that all good things come to an end sooner or later. So please join me in saying it: "Goodbye Pink Flamenco!"

Read some of the comments in the MySpace version of this blog. Feel free to leave comments of your own memories of the Pink Flamenco in the comment form below.

January 4, 2008

Retrospective: backstage at the Arte Flamenco student recital December 3, 2000

Bret, Torcuato and Enrique tuning up in the dressing room. December 3, 2000 3:03pm

It's 1:33am on Friday as I type these words. I really should be in bed by now considering I have to be at the office at 9:00am. But I'm wide awake anyway, so there's no use in fighting it, right? Might as well make myself productive and crank out another retrospective blog. And besides I'm kind of in a nostalgic mood.

Earlier this evening, I was able to "rescue" more pics from a corrupted hard drive, yay! These are a bunch of candid shots taken backstage right before a student recital of the Arte Flamenco dance studio, directed by Natalia Monteleón. The recital took place on Sunday afternoon, December 3, 2000. That's a little more than seven years ago! Anywayz, I just uploaded these for your viewing pleasure. Those of you who've been involved in the DC flamenco scene for awhile will recognize some of the dancers. Those of you who are in the pics will get to relive some good memories. For the rest of you, this is a little peek at what goes on before a student recital, brought to you by yours truly. Enjoy!

Aleksey practicing in the hallway. December 3, 2000 3:18pm

Taking a peek into the girls' dressing room. December 3, 2000 3:24pm

Cori Bernal checking her makeup as Karina Araujo adjusts her shawl. December 3, 2000 3:25pm

Marta Chico Martín stretching her arms while Minerva smiles for the camera. December 3, 2000 3:25pm

Sohaila, Dana Shoenberg and Karina. December 3, 2000 3:26pm

Geeky info: I don't have any time stamps for the remaining photos. When I recovered these from the corrupted hard drive, I lost the EXIF data.

Sara Jerez (meditating?) and Anna Menendez. December 3, 2000

Anna, Ceci and Sara. December 3, 2000

Dana and Sohaila practice Sevillanas while Marta Chico Martín keeps the compás with palmas. December 3, 2000

Sohaila, Dana and Marta. December 3, 2000

Sohaila, Marta and unidentified dancer. December 3, 2000

Ceci, Sara, Sohaila, Anna, Dana and Marta. December 3, 2000

Dana, Sohaila and yours truly in the mirror as I took this photo. December 3, 2000

Sohaila. December 3, 2000

Sara Jerez and Anna Menendez. December 3, 2000

December 3, 2000

Guitarist Richard Marlow and Sara Jerez in the stage wings watching Torcuato Zamora play his guitar solo. December 3, 2000

Yeah, I just have one last day (Friday) as a temp at a dancer friend's office. Since I'm going to bed really late (it's already 2:00am!), I know it's going to be a rough morning at work cuz I'm going to be half asleep while I do repetitive office tasks. Oh well. It's only one last day and I'm making money anyway. What's cool is that I'm spending time with a friend and we can talk while we work.

It wasn't too bad on my second day at the office. At least I knew what to expect and sort of found my groove with the workflow. Plus I made sure to sit next to the radio, so I could enjoy some music and make the time go by faster. Funny thing is that although I had my phone on silent mode, whenever I got a call or a text message came in (and I get a lot of them!) you could hear a distinctive buzzing sound coming through the radio. Thing is that usually I spend my day at home in front of the computer and some of my friends that I normally chat with all day long (or poke through Facebook) were missing me (you know who you are--hehe). Next week will be back to normal. And although I was offered to come back and temp some more, I declined. I'm tempted to change my mind though. I'm just starting to get used to the office routine and it's not so bad. I could use the extra cash to save up for something special. Let me get back to you on this. Ciao for now!

January 2, 2008

First time in an office in eight years!

January 2, 2008 7:51am

It's 7:24pm on Wednesday as I type these words. Yeah, you heard right. Yours truly actually worked in an office today from 9:00am until 4:30pm! I don't know how it came about, but last week one of my dancer friends called me totally out of the blue to ask me if I'd like to temp in her office for a few days.

I'm doing OK moneywise (knock on wood!) but then again, due to the holidays, flamenco business around here has slowed down and I hadn't performed for ten days straight! So why not try the office thing? I'm free during the day anyway. Plus I'd be making some money and getting a first-hand look at what my friend does at work. What's funny is that during a typical day she and I "poke" each other back and forth online (Get your mind out of the gutter! Facebookers know what I mean!). I almost got the impression that she was at home like I was just surfing the web at her leisure. Boy was I wrong!

January 2, 2008 7:51am

So for about six hours plus a lunch break, I was doing typical office work: interpreting data and putting things in order. I was dealing with confidential stuff so I can't really go into more detail. Mildly interesting stuff but nothing that would make a difference to me one way or the other personally. Of course, it's a serious job and I want to give it my best effort. But it was repetitive.

Then again, being an artist can be repetitive too. We have to keep up our basic techniques. For us guitarists this involves playing rasgueados over and over. Scales (aka picado), alzapúa, arpeggios, falsetas etc so that we can execute them without thinking too much and therefore devote more of our mental energy towards accompanying the dancers and singers.

January 2, 2008 7:51am

So my experience today brought back not-so-good memories from when I used to work in an office eight years ago. I was good at what I did and because of that I was very efficient. Frequently I finished my work earlier in the day than my colleagues. But what motivated me was my desire to work on my website and use the company's broadband Internet access to get my web-related work done. (Yes, it's true: the first four years I did the bulk of my website design work at the office.) But what made my time at the office feel longer than reality was that I was spending my whole eight hours thinking about what it would be like having a blast at my flamenco gigs later that night. Eight hours felt like sixteen!

January 2, 2008 7:52am

Of course my day job eight years ago paid well but it was sucking the life out of me. Music is what I love and I could make money doing it anyway--maybe not that much at first, but the tradeoff for me was worth it. When I quit my day job to go into flamenco full-time, my income did drop drastically in the beginning (but I had some money set aside to keep me afloat for a few months).

I'm glad I did what I did because a long time ago I would've justified the long hours in the office with the large paychecks. But what good would all that money be to me if I had no energy left in me to enjoy it? Think about it: if I got used to the "comfort" of the large paychecks, the years would pass by and I'd still feel the emptiness of not devoting enough time to my passion. Thank goodness I followed my instincts while still young: why not do what I love and do it for a living? Of course the artist's life isn't for everyone. And yeah, I am single with no children or siblings to support...so it works for me.

The point I 'm trying to make here is that I want to remind you to follow your passion. Not all of us can make a living doing it. And if you can't make a living doing it, at the very least, make a promise to yourself to make time for it on a regular basis.

End of lecture! Here are some quotes you should write down and put somewhere, like your refrigerator door or bathroom mirror, to serve as a reminder and to inspire:

  • Life beats down and crushes the soul and art reminds you that you have one - Stella Adler
  • What art offers is space - a certain breathing room for the spirit - John Updike
  • Art is a lie that makes us realize truth. - Pablo Picasso
  • Art is unquestionably one of the purest and highest elements in human happiness. It trains the mind through the eye, and the eye through the mind. As the sun colors flowers, so does art color life. -John Lubbock

Read some of the comments in the MySpace version of this blog.