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October 24, 2006

Cafe Citron on Monday October 23, 2006

Angélica, Danielle, Miguelito, Lola and Subha. October 23, 2006 9:34pm

It's 1:51pm on Tuesday as I type these words. Last night I had a bunch of dancer friends in the audience so we had plenty of people to invite onstage for Sevillanas. We even got Lola onstage again to dance a little bit of tangos!

Anywayz, gotta get out of the house already, so I'll let you enjoy the pics sans commentary.

Danielle and Mariya in Sevillanas. October 23, 2006 9:46pm (photo by Keith)

Angélica and Mariya. October 23, 2006 9:48pm (photo by Keith)

Lola and Mariya. October 23, 2006 9:48pm (photo by Keith)

Mariya in alegrías. October 23, 2006 10:00pm (photo by Keith)

October 23, 2006 10:01pm (photo by Keith)

October 23, 2006 10:01pm (photo by Keith)

October 23, 2006 10:01pm (photo by Keith)

October 23, 2006 10:03pm (photo by Keith)

October 23, 2006 10:03pm (photo by Keith)

Tonight I'll be at Las Tapas. See you there!

October 22, 2006

Sala Rociera at the Pink Flamenco. October 21, 2006

Sevillanas line dancing. October 22, 2006 12:29am

It's 7:35pm on Sunday as I type these words. It's been a leisurely Sunday. Got up around 11am and tried working on the blog for a bit but instead decided to tidy up the home studio a bit since I had a dancer friend coming over in a while to rehearse. It was a late night last night here at the Pink Flamenco (which happens to be where Iive), so I'm going to back to bed again to catch up on sleep. Anywayz, enjoy the pics--sorry, too tired to write some commentary.

Isabel Otero. October 21, 2006 10:42pm

If you were at the party last night, I would so love it if you'd submit some comments by using the form at the bottom of this blog entry. Thanks!

October 21, 2006 10:46pm

Jason Vera y Aragón, Nora López and Ginette Perea. October 21, 2006 10:51pm

October 21, 2006 11:17pm

October 21, 2006 11:20pm

October 21, 2006 11:28pm

October 21, 2006 11:45pm

October 21, 2006 11:48pm

Isabel and Lola. October 22, 2006 12:21am

Pavarotti, um I mean Torcuato :-) with Edwin Aparicio and Jason. October 22, 2006 12:23am

October 22, 2006 12:23am

October 22, 2006 12:28am

October 22, 2006 12:29am

Students of Natalia Monteleón in Fandangos de Huelva. October 22, 2006 12:44am

Hardcore late night flamenco jam session. October 22, 2006 2:17am

The Sala Rociera planning committee met in the wee hours of the morning to plan the next party which will be on Saturday November 25, 2006. Mark your calendars! Yeah, I know it's on Thanksgiving weekend, but not everyone goes out of town and besides this would be a great excuse to dance all night and get a head start on burning all those Thanksgiving calories. :-)

October 19, 2006

No one cares what you had for lunch. October 18, 2006

Potato gnocchi. October 18, 2006 9:34pm

That's the title of a book I came across a few weeks ago. It's mostly of interest to bloggers like myself who are constantly looking for ideas of what to write about. Sometimes it is true, but it so happens I get comments from some of my readers about how much they love my food pics. Hehe.

So last night (Wednesday) I didn't have a gig for the second week in a row and it happened to be a beautiful night--not to mention a beautiful day too. But I didn't have any plans but somehow it worked out.

You see...I do a lot of gigs with dancers and little dancer accessories typically fall off in the middle of a show: mostly earrings but sometimes combs, bracelets etc. Afterwards, they leave the stage and go change back into street clothes oftentimes forgetting to pick up the things that fell.

At the end of the night when the dancers have gone home and as I'm packing my sound equipment, I notice the missing earring or whatever lying on the stage and I just put it in my guitar case thinking to myself yeah, I'll give it to her when I see her again. Well weeks or months pass and we both forget and eventually I accumulate a odd collection of orphaned earrings and I can't even remember who wore what.

Well, last week I was at a club after one of my gigs and I ran into a friend who was dancing up a frenzy who decided to hand me her watch--I don't know. The music was loud. I didn't ask any questions. She just handed it to me and I put it in my pocket. Hours later I got home and guess what happened. Yup...as I was emptying pockets I found the watch and this time I remembered who the owner was.

Long story short, last night I called up this friend telling her that I was free to meet up and return her watch and ended up getting dinner at an outdoor cafe and enjoying some delicious food on this beatiful night...

Grilled calamari. October 18, 2006 9:35pm

October 18, 2006 10:28pm

Seems like Wednesdays will be my going out nights for now. Although I will be subbing for Torcuato at Cubano's in Silver Spring on Wednesday November 1st. I'll announce the details later. As for tonight (Thursday) I'll be playing solo guitar at the Andalucía. Ciao for now!

October 17, 2006

Tutto Bene show. October 13, 2006

October 13, 2006 (photo courtesy of Nora López)

This past Friday was another case where I was unable to attend a special show here in the DC area. Why? Cuz I was performing that same night--that's one of the disadvantages of being a busy flamenco! Anywayz, Nora López was kind enough to send me some pics. Enjoy!

The Jerez de La Frontera group included singer Rocio Soto, saxophonist/percussionist Alejandro Galdon, singer/guitarist José Galvez, dancers Juan del Valle and Nora López. The performance took place at Tutto Bene restaurant in Arlington.

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

October 13, 2006 (photo courtesy of Nora López)

Please visit Nora's website to find out about future flamenco events that she's producing/promoting.

Monday with Miguelito. October 16, 2006

October 16, 2006 3:40pm

It's 5:50am on Tuesday as I type these words. Last night at Citron was a blast! Of course, it's always fun, but every now and then, all the essential elements fall together in such a way that it's just right performance-wise and hanging-out-with-da-friends-afterwards-wise. I certainly helped that I was in a good mood--but you know me, if I'm hungry I get cranky.

So yesterday afternoon, I had to go first to Virginia to pick up my sound system at Tapeo (where I performed Saturday night). Along the way, I stopped by Pho 75 in Arlington for a quick but satisfying lunch--I had been craving pho since last week.

It's just noodle soup, right? But the way they make at this place, makes it worth the trip. Checkout the pics...

October 16, 2006 3:51pm

I got #10, my usual. That's what I tell the waiter instead of attempting to use the Vietnamese pronounciation of pho tai gau. It's basically noodle soup with slices of rare eye round steak and fat brisket that you can optionally garnish with bean sprouts, chile peppers, fresh herb leaves and a wedge of lime.

October 16, 2006 3:52pm

I ordered the regular-size bowl for a mere $5.45 and got what I needed to start off my afternoon just right! Didn't realize this until now, but according to the times these pics were taken, I finished my pho in 13 minutes! But it was heavenly and I was now in a very good mood.

October 16, 2006 4:05pm

Got back on the metro, and made it to Pentagon City and chatted awhile with Carolina, one of the servers at Tapeo. She was telling me how business has improved significantly on Saturday nights now that we moved the flamenco show indoors. I have to agree with her.

When the show was outdoors, business wasn't bad, but there were lots of passersby that would stand and watch us perform and when we were done, most of them, as far I could tell, didn't go into the restaurant and order anything. Ugh. But now you don't have a choice: you have to come inside if you want to see the show.

Anywayz, after I picked up my sound system I got back on the metro to Dupont Circle so I could setup at Cafe Citron in time for my show. Fast forward a few hours later, I have pics starting from after the first set.

Kariné and Mariya. October 16, 2006 8:49pm

Mariya's jeans. October 16, 2006 8:50pm

Guess who walked in the door? Actually a lot of my friends did, but there was one that I hadn't seen in a very long time. I'll give you a hint: it was one of the dancers that performed here at Citron four years ago and appeared with me and Marta Chico Martín on the cover of On Tap magazine.

Karina and Miguelito. October 16, 2006 9:12pm (photo by Cindy)

Karina was one of my regular dancers here at Citron until she graduated from college and moved away to New York and start her career which, lucky for us, a few years later brought her back to the DC area where she continues to work in the fashion industry. But if you missed her, she told me that she'll stop by Citron again next Monday. She brought along her former high school classmate Cindy.

Cindy and Karina. October 16, 2006 9:12pm

I wasn't able to get Karina to dance at least some Sevillanas. She insisted on being just a spectator this evening. But there's always hope next time now that she's back in the DC area.

The club was quite crowded for a Monday night. And Keith, my volunteer photographer for the evening, ended up having to stand behind the stage which resulted in these pics where you can see the facial expressions of the members of our audience.

Mariya and Angélica in Sevillanas. October 16, 2006 9:24pm (photo by Keith)

Mariya and Karine. October 16, 2006 9:24pm (photo by Keith)

Miguelito and Gerard Moreno. October 16, 2006 9:26pm (photo by Keith)

Mariya in soleá. October 16, 2006 9:33pm (photo by Keith)

October 16, 2006 9:36pm (photo by Keith)

October 16, 2006 9:38pm (photo by Keith)

October 16, 2006 9:38pm (photo by Keith)

Another friend of mine, Sonia, whom I haven't seen in months had just returned from the Dominican Republic and we got her to dance some Sevillanas but she longed for a bachata, a dance which I'm guessing now has special meaning for her after living in the beautiful D.R. for several months. She also brought along a friend from school, Jojo.

Jojo, Sonia, Miguelito and Angélica. October 16, 2006 10:03pm (photo by Keith)

This is my new friend Subha, a dancer specializing in Kuchipudi (a southern India dance form) who now has an interest in flamenco. She frequently performs and I'll definitely go check her out at an upcoming show.

Subha and Miguelito. October 16, 2006 10:20pm (photo by Keith)

Karine, Eric and Amber. October 16, 2006 10:23pm

Miguelito and Karine. October 16, 2006 11:27pm

Sonia and Karine in Sevillanas. October 16, 2006 11:42pm

October 16, 2006 11:42pm

Didn't have anyone to catch a ride with so I had to leave at midnight to catch the last train and made it home at a decent hour for a change. I'm going back to bed and getting a few more hours of sleep. Good night, um I mean good morning!

Tonight I'll be performing at Las Tapas. See you there!

October 15, 2006

Tapeo on Saturday October 14, 2006

Isabel Otero, Miguelito, Daniela, Raquel, Gil Mendez, Cindy and Sarah Hart. October 14, 2006 9:03pm

It's 2:26pm on Sunday as I type these words. Yeah, it's been a while since I last blogged. It's been one of those weeks where personal stuff just had to take some priority. Anywayz, I did my gigs as usual last week. But what always makes it special is when my friends come to see me perform. And last night at Tapeo was one of those nights!

I literally had been playing guitar all day long before I got to the gig and all I had eaten that day (aside from getting my morning jolt of doppio espresso at Starbucks on the way to dance class) was a slice of pizza. It was a tasty slice mind you, but nutritionally I was cutting myself short and it certainly felt like it during the show. My dancers for the evening were Sarah Hart and Isabel Otero and they did a fine job, but as for myself, I know I could've played much better. It certainly helped that all my friends were there to cheer us on--I got a little boost of inspiration because of them (thank you ladies!).

An additional benefit of having friends in the audience is the supply of enthusiastic volunteer photographers. It's also cool to compare and contrast how different people frame their shots, select angles and play with the camera settings to get certain dramatic effects. Anywayz, check out the pics by Cindy and Daniela...

Cindy, Raquel and Daniela. October 14, 2006 8:40pm

Isabel Otero and Sarah Hart in Sevillanas. October 14, 2006 8:43pm (photo by Cindy)

October 14, 2006 8:44pm (photo by Cindy)

October 14, 2006 8:45pm (photo by Daniela)

October 14, 2006 8:45pm (photo by Daniela)

Sarah. October 14, 2006 8:46pm (photo by Cindy)

Isabel. October 14, 2006 8:47pm (photo by Cindy)

October 14, 2006 8:47pm (photo by Cindy)

October 14, 2006 8:48pm (photo by Cindy)

Sarah. October 14, 2006 8:52pm (photo by Cindy)

October 14, 2006 8:52pm (photo by Cindy)

October 14, 2006 8:53pm (photo by Cindy)

October 14, 2006 8:53pm (photo by Cindy)

October 14, 2006 8:57pm (photo by Daniela)

October 14, 2006 8:59pm (photo by Daniela)

October 14, 2006 8:59pm (photo by Cindy)

October 14, 2006 9:01pm (photo by Cindy)

October 14, 2006 9:01pm (photo by Daniela)

October 14, 2006 9:01pm (photo by Daniela)

October 14, 2006 9:01pm (photo by Daniela)

October 14, 2006 9:01pm (photo by Daniela)

October 14, 2006 9:02pm (photo by Daniela)

October 14, 2006 9:03pm (photo by Daniela)

Steve, Raquel, Daniela and Cindy. October 14, 2006 9:37pm

After the show, we all went to out to house party. It was cool--met some myspace friends in person for the first time. Steve was kind enough to buy liquor on the way--us artists and college students were basically broke. :-( At da party, the guys were in the living room watching UFC martial arts fighting, while the girls were at the bar talking about I don't know, girl stuff. :-) I'm not much into fighting sports (nothing against it, just doesn't interest me) so I went back and forth between the living room and the bar. But when the UFC program was over at around 1:00am, we all went our separate ways...some went clubbing while the rest went home. It was cool hanging out with my flamenco friends in a non-flamenco gathering mostly to get to know another side of their personality and life.

At the house party, Miguelito and Daniela. October 14, 2006 10:51pm (photo by Raquel)

Another tangent (hey, it's my blog!): Been in a movie mood lately. On Monday, went with a friend to see The Queen, which is not something I would've chosen to watch on my own, but I couldn't turn down an invite from my very charming friend. ;-) I never really kept up with royal family gossip, but I actually enjoyed the film. Thursday I went to see The Last King of Scotland which is fictional film about former dictator of Uganda, Idi Amin. Forrest Whittaker gives an amazing performance portraying a character who is very evil but at the same time very charming. Warning: there is some very very gruesome violence. But today I'm going to see if I can persuade a friend to come with me to see Dane Cook's Employee of the Month. OK, that's it for blogging today. I'm outta here. Ciao!

October 10, 2006

Cafe Citron on Monday October 9, 2006

Raquel and Mariya in Sevillanas. October 9, 2006 (photo by Liz)

Ugh...I got up like two hours ago and now it's after 1:00pm on Tuesday. Got so much stuff to do before my gig tonight so no commentary...I'll just let the pics speak for themselves.

I should at least add a special thanks to my two myspace friends Raquel and Liz for coming all the way from Fairfax for the show. Liz was my volunteer photographer for the evening. Thanks Liz!

October 9, 2006 (photo by Liz)

October 9, 2006 (photo by Liz)

October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


Mariya in soleá. October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


October 9, 2006 (photo by Liz)


Mariya in alegrías. October 9, 2006 (photo by Liz)

October 9, 2006 (photo by Liz)

October 9, 2006 (photo by Liz)

October 9, 2006 (photo by Liz)

October 9, 2006 (photo by Liz)

Liz, Mariya and Raquel. October 9, 2006

Raquel, Citron's bouncer Shahky and Liz. October 9, 2006

Tonight (Tuesday) I'll be performing at Las Tapas. See you there!

October 8, 2006

Tapeo on Saturday October 7, 2006

Sarah Hart in tientos/tangos. October 7, 2006 8:53pm (photo by Sarah)

It's 10:43am on Sunday as I type these words. Good morning! Last night I was performing at Tapeo with dancers Ginette Perea and Sarah Hart. This was the second Saturday in a row that we had the show indoors and I'm starting to like it now for a couple of reasons...

October 7, 2006 8:53pm (photo by Sarah)

1. With a wall behind the stage the respective performers' and audience's areas are clearly defined. When we used to perform outdoors in the patio, we had a lot people watching the show from behind us which didn't really bother me that much, but I sort of wished we had some kind of an usher to say to these people, Hey, may I suggest moving to the other side for a better view of the show? Don't get me wrong, if you, as an audience member, are enjoying the show from behind, good for you! But it just makes it easier for us to communicate our artistic message, so to speak, when you're in front, OK? :-)

October 7, 2006 8:55pm (photo by Sarah)

2. We have more control over the ambience of the venue. I bought these stage lights for a reason: to draw attention to the dancers and myself, add a little theatricality and make ourselves look good. But when we were outdoors we were at the mercy of Mother Nature. Plus the lighting was a bit washed out by the natural light of the early evening. Indoors, at least we can dim the house lights as necessary to make the stage lighting more intense, plus we have the added dramatic element of our shadows dancing upon the wall behind us.

October 7, 2006 8:58pm (photo by Sarah)

3. We're closer to our audience. Flamenco stresses importance on the expression of feelings of the moment. You can hear it in the music. You can hear it in the ferocity of the zapateado (footwork), the playfulness of the palmas (handclapping) or added subtle spice of the pitos (finger snapping). But when you are up close in the intimate setting of a tablao, you can also see these intense emotions expressed in the facial expression of the performers--something which is not as strong in a large stage in a theatre. And in this intimate setting, we performers can pick up on the energy of the audience--yes, we do need your energy to bring our performance to the next level!

Ginette Perea in soleá. October 7, 2006 8:59pm (photo by Sarah)

I could go on and on, but the point here is that indoors we have more control as we try to present our show in just the right ambience for flamenco. Well, OK, I know that it's a fact of life that not everyone in a restaurant is there to see a show. In which case, I'll just have to count on the hostess to seat the people who'd rather engage in loud conversations as far away from the stage as possible.

October 7, 2006 8:59pm (photo by Sarah)

It's too easy to go the diva route and refuse to perform a crowd that doesn't pay attention. But a good way to approach is as two kinds of challenges.

How can I engage this audience? Do I need to crank up the volume on the sound system? Or turn it down? Shorten the dances and focus on the intensifying the footwork? There is no one answer because every audience is different. Sometimes it works. Sometimes it doesn't. It's a real test of yourself as a performer to first be able to grab the attention of the audience AND also maintain that attention, the other challenge.

There have been a number of occasions when I've performed for very rude audiences. You know the type. They mockingly say things "Rrrrrriba! Rrrrriba! Andale" as if they were watching a mariachi group. Ugh. But there still might be that one or two tables of customers that are really paying attention to the show and you don't want to let those rude people get to you. Of course, with experience you learn to focus and tune those rude people out and direct your mental energy to giving your best performance.

October 7, 2006 8:59pm (photo by Sarah)

This evening we had a lot of friends in the audience including a bachelorette party that came all the way from Baltimore to see our show. They called ahead and got a table right next to the stage and throughout the show were our most enthusiastic cheering section. Thank you ladies!

Also my filipina friend Sarah showed up with three of her fellow college student friends. Fellow flamenco guitarist Cipriano and his girlfriend came fro the second set and also got a table by the stage.

October 7, 2006 9:03pm (photo by Sarah)

Overall it was good night at Tapeo and I'm looking forward to more of the same. With the now cooler weather, I'm pretty sure the show will continue to presented indoors. Stop by and check it out sometime. If you don't feel like sitting down for dinner, you can always grab a seat at the bar. For more info, visit Tapeo's website or call 703-416 6431.

Cool, I'm done blogging for the day. No performances today but I am meeting a friend at 4:00pm. In the meantime, I think I'll walk over to my neighborhood Starbucks, get a doppio, grab a comfortable seat and read a few more chapters of The Kite Runner.

October 7, 2006

Eighteenth Street Lounge on Friday October 6, 2006

October 6, 2006 6:44pm

It's 1:33am on Saturday as I type these words. Yesterday (Friday) it was rainy and cold and I was in the mood to go see a movie in the afternoon but a friend of mine invited me to join her and her friends for some drinks around 6:30pm at the 18th Street Lounge in Dupont Circle. I figured I could see the movie anytime and besides it's been more than a week since I last saw my friend so...

First I had to drop off my sound system at Cabanas a little earlier than usual. I decided to go ahead and set up the sound and lights now so that if I ran a little late coming from Dupont all I'd have to do is grab my guitar, plug in my micropone and I'd be ready to start!

So I arrived at 18th Street Lounge around a quarter to 7--OK, so I made a quick stop by Julia's Empanadas to get some food in my stomach before joining my friends for drinks.

I ascended the stairs, nodded to the bouncer and wandered around to the more private back rooms where I expected to see my friends and there she was--just her and her boyfriend anywayz. Kiss, kiss, hug, hug, said our hellos and they scooched over a bit to make some room for me to sit on the well-worn but nevertheless very comfortable antique couch.

I can't even recall the music that was playing. Whatever it was, it nothing remarkable or musically interesting. But in a way it was perfect cuz it filled up the sonic space such that you had to raise your voice slightly to converse but it wasn't so overpowering that you had to strain to listen.

Did the usual small talk of catching up on what we've done since we last saw each other and somehow the conversation drifted towards performance anxiety. Turns out my friend was a hostess for several years in travel show on television. And despite the tons of experience she had in front of the camera, she still got nervous just before the camera started rolling.

October 6, 2006 6:59pm

Logically, you tell yourself, hey, I'm just talking to a camera but your imagination creates a picture in your mind that possibly milllions of people will be watching you and while the camera is rolling you all of a sudden become aware of every little detail of your physical appearance, pitch and tonal quality of your voice.

I can remember last year at the Taste of Bethesda. After the performance one of the dancers and I was approached by one of the local TV stations to do a quick spot where I did about 5 seconds of flamenco guitar music with my dancer friend doing palmas. Easy, right? Yup. But right after that we were supposed to say "Good morning, Washington!"

Now I know this sounds stupid, but everytime we did it, I ended up saying "Good morning, America!" which unfortunately is the name of another program on a competiting network. Not good. Well, it took us, actually, me, FIVE takes to get it right.

Man, you'd think that with all my stage experience I wouldn't get nervous doing a television spot. But I did.

So my friend asked me, "Do you still get nervous when you perform every night?"

"Hmmm...I have to think about this." Thing is that when a performance is over, whether it was especially good or not so good, I"ll briefly look back and try to think about how I could improve it and then I forget about it and move on.

The good answer to that question is, "Yes, I do get nervous every time." The reason why this is a good answer is because the nervousness is an indication that you really care about the quality of the performance. And I do! Now if a student performer comes up to me and asks me that question, I'll probably give that student the good answer for educational purposes.

But the truth is that I don't get nervous anymore, well OK let's say 95% of time I am very confident, but for the 5% of time that I do get nervous, I quickly recover from it once I start playing.

You can call it a mind game, but when you allow yourself to be taken in by the music and the dancing, your mind is so busy that there's no idle time for it to get sucked into nervous territory.

Ugh...you get the idea. But if you want to explore this topic further, I highly recommending getting the book The Inner Game of Music. In fact, if you're serious about becoming a professional performer, this is required reading!

Anywayz, I made it back to Cabanas just in time for my show. The dancers were Ginette Perea and Sarah Hart. Good performance just as I expected. One of my most enthusiastic fans and a very sweet friend Katya came which made my night. Thanks for coming Katya!

OK, it's 2:19am now. I'm playing at American Dance Institute for the flamenco classes from 12:30pm to 3:00pm and Genoveva is teaching (subbing for Anna Menendez). It's been a while since I last played for Genoveva but I know it'll be fun. Just want to make sure that I get a good night's rest so I can be awake enought to enjoy it. hehe. Allright, enough blogging. Good night!

October 6, 2006

Andalucia on Thursday October 5, 2006

Miguelito. October 5, 2006 8:09pm (photo by Natalie)

It's 11:12am on Friday as I type these words. Last night at the Andalucía was kinda cool cuz besides the fact that I performed with Pam de Ocampo who danced beautifully. What was cool was that we had some new friends in the audience who came especially to see the show. One of them, Natalie, brought her camera and offered to take pics--but as you know, it's a challenge to get a good shot here at the Andalucía.

In retrospect, I realized I should've invited her to come onstage and dance Sevillanas with Pam, but the restaurant was packed and the manager, Monica, asked me to start playing guitar a little earlier than usual--I think the entertainment is sort of a way to placate the customers while the kitchen catches up with the food orders.

Meanwhile, there was a major accident on 495 which seriously backed up traffic so Pam was running late, but I wasn't worried--I knew she would've called if she was going to be very late.

I was hoping to at least tell Pam the program for the evening but even if she arrived in the next few minutes I would be onstage already. The frustrating thing about situations like this is that I can't communicate with the dancers when they're offstage. Like for example, on Tuesdays when I perform at Las Tapas, I customarily start the show with some guitar solos while the dancers are upstairs changing. Occasionally they'll take longer than usual and I'll improvise an extension to my guitar solo until I see them coming down the stairs. I can remember one time though that I played for like 20 minutes instead of the usual 5 cuz one of the dancers was running late. I suppose I could just stop playing, leave the stage and go upstairs and ask what's going on, but that would break up the continuity of the show.

You get the idea. Thing is that years ago I remember when I used to do shows with certain dance companies and after a while I figured out why they asked me to play guitar solos--it was to fill-up time while the dancers changed costumes. Ugh. So nowadays I get annoyed when I'm onstage playing guitar before the dancers take the stage and they seem to be taking longer than usual to get ready.

End of rant. Anywayz, I blog about things like this not to be a whiner but rather to give you an insight into the reality of what it's like being a full-time flamenco which is mostly fun of course. For the record, Pam arrived just in time to start the show and as expected, she won over our audience with her dancing, grace and charm. Check out the pics...

Pam de Ocampo. October 5, 2006 8:31pm (photo by Natalie)

October 5, 2006 8:32pm (photo by Natalie)

We joined our friends afterwards and enjoyed conversation over a selection of delicious tapas including peppers stuffed with crab meat, fried calamari, croquetas, empanaditas and breaded mussels, yummy!

Tapas. October 5, 2006 8:59pm (photo by Natalie)

Tonight, I'll be performing at Cabanas with dancers Ginette Perea and Sarah Hart. See you there!

PS not to make too big a deal about this but on Saturday at 12:05pm, the local radio station WETA will air an interview with Ginette and yours truly where we answer questions about flamenco and what it means to us personally and in relation to our respective heritages. There might even be a soundbite from our show at Tapeo. In case you miss it, they'll also rebroadcast it on Sunday at 8:00pm.

Oops, got the date for the WETA radio broadcast mixed up. It's actually next Saturday October 14th. Don't worry, I'll remind you in an upcoming blog.

October 5, 2006

Wednesday with Miguelito. October 4, 2006

It's 3:44am on Thursday as I type these words. Last night (Wednesday) I had the night off but didn't make any serious plans, but at the last minute I decided to go support my fellow flamencos at Thyme Square Cafe in Bethesda which is only one metro stop away from my neighborhood.

Just as I was about to head out, I got a knock on my door. It was my flamenco dancer roommate. Yeah, I told her to knock anytime she wanted to practice and since we were so rudely interrupted earlier that day, I was so eager to resume our flamenco jam session. So I quickly grabbed my guitar and we worked on soleá. It was sometime after 8:00pm so the office people downstairs were long gone and we were free to make as much noise as we wanted, yay!

Around 9:00pm I had to leave. Bethesda's a mere five-minute taxi ride or a 15-minute trip on the metro--including waiting time and walking. I was satisfied with our little progress for such a short practice session. Actually, I'm more inspired to practice now that I have a dancer living upstairs! But I better shut up about her now before she screams at me for invading her privacy--although I have never once mentioned her name. The important thing is that I'm thrilled to have a flamenco friend living here and just coudn't resist mentioning it in my blog, so there! :-)

OK, so why am I up so early in the morning?

It's this damn book! I started reading "The Namesake" a few days ago on and off whenever I could squeeze in few minutes here and there while riding the metro. So this afternoon I got to page 84. And when I got home last night, I picked up the book again and couldn't put it down and a little more than 200 pages later and a few bathroom breaks in between, I finished it!

Lately, I've been reading a string of books with Indian characters, themes or settings. It all got started when my friend Cynthia got me this amazing book called Shantaram for my birthday.

The description on the back cover of "The Namesake": Jhumpa Lahiri's debut story collection, Interpreter of Maladies, took the literary world by storm when it won the Pulitzer Prize in 2000. Fans who flocked to her stories will be captivated by her best-selling first novel, now in paperback for the first time. The Namesake is a finely wrought, deeply moving family drama that illuminates this acclaimed author's signature themes: the immigrant experience, the clash of cultures, the tangled ties between generations.

The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of an arranged wedding, Ashoke and Ashima Ganguli settle in Cambridge, Massachusetts, where Ashoke does his best to adapt while his wife pines for home. When their son, Gogol, is born, the task of naming him betrays their hope of respecting old ways in a new world. And we watch as Gogol stumbles along the first-generation path, strewn with conflicting loyalties, comic detours, and wrenching love affairs.

With empathy and penetrating insight, Lahiri explores the expectations bestowed on us by our parents and the means by which we come to define who we are.

While the story is filled with descriptions of Bengali customs and traditions, I can relate to the experiences of the main character, Gogol. Being that I was born and raised in the USA while my parents and the majority of my extended family were born in the Phillipines. I'd go to family gatherings where my relatives would speak fondly of home aka the Phillipines and they would ask me something along the lines of, "When was the last time you went 'home'?"

I'd usually say something like, "But I am home. The USA is my home."

You can probably imagine where the conversation went from there. While I do acknowledge my filipino roots, I can't deny the fact that I am also an American. Whatever. Frustrating stuff. In the book, I learn the meaning of the acronym ABCD: American Born Confused Deshi. Deshi is another word for Indian. Growing up I've heard filipinos refer to me as being "Americanized." Kinda reminds me of the derogatory term Twinkie used in the movie "Harold and Kumar Go to White Castle." Twinkie meaning yellow on the outside, white on the inside. Ugh.

Anywayz, read the book. It's well-written and I promise you won't be able to put it down and if you're a child of immigrants, you'll find a lot of situations in the story that you can relate to. And if you're too lazy to read it, you can wait until the movie comes out sometime in Spring 2007.

My thanks to my friend Aru for recommending this title.

OK, so I digressed from the topic of flamenco. Well in the grander scheme of things you could say that I'm learning about the culture of the geographic region where the gypsies originated.

So enough blogging for now. I better get some sleep. Tonight (Thursday) I'll be performing at the Andalucia restaurant with dancer Pam de Ocampo. Call 301-770-1880 to make your reservations. See you there!

October 4, 2006

Gloria Monge and students at Fall for Fairfax. September 30, 2006

September 30, 2006 11:38am (photo by Esin)

This past Saturday I was playing for Anna Menendez's dance classes as usual at American Dance Institute in Rockville right about the same time that my guitarist friend Ayhan Ozdag was performing in Fairfax. Even if I had a car, I still wouldn't have made it out there in time to catch his show. So thankfully his daughter Esin took some pics which I'm happy to finally publish here for you now.

Guitarist Ayhan Ozdag writes:

Hi Michael,
Today (sep. 30) we had a flamenco show in Fairfax Government Center Cox stage to celebrate "Fall for Fairfax" festival. Gloria Monge and students danced Tangos and Sevillanas. Here are some photos...

Gloria teaches at Conservatory Ballet in Reston.

September 30, 2006 12:40pm (photo by Esin)

Truth is that while I am probably the busiest flamenco performer in DC and even though I do publish pics from just about all my performances, this photo diary of mine doesn't cover everything. In fact it still only scratches the surface of what's going on in the local flamenco community.

September 30, 2006 12:41pm (photo by Esin)

So my apologies to all the wonderful flamenco people out there working hard promoting flamenco in parts of the DC area that I rarely visit (mostly cuz I'm busy and don't have a car--I know, I know...lame excuse!). You're all in my thoughts and I wish I could publish and everything that goes on, but there's only so much I can do since I'm the only one running this website.

September 30, 2006 12:41pm (photo by Esin)

Yeah, for the record, a while back I did try out a blogging system where selected local flamencos had their own separate logins so they could add content to my website at their leisure without having to wait for me to get around to their emails and manually update the website myself. But that didn't work out. Hardly anyone contributed content.

Let's face it...by and large, artists are too busy with artistic pursuits to bother with publicity and marketing. I'm no expert in that area, but I'm just lucky that I got my website started at the right time (ten years ago) and just through sheer hard work and determination I've kept this website up-to-date as much as humanly possible such that the DC flamenco community has come to depend on me for the latest info. I do have my periods where I slack off, I admit. But I usually pick up the pace when I back out my slump all the while at least maintaining a respectable level of "updatedness."

September 30, 2006 12:47pm (photo courtesy of Ayhan Ozdag)

OK, I did enough self-praise for now that I better stop before my ego gets over-inflated. hehe.

My thanks to Esin and Ayhan for these pics and keeping me up-to-date on Gloria Monge's classes, performances.

Check out this blog entry, from April 2005, where guitarist RJ Uebersezig and yours truly accompanied Gloria's class at Conservatory Ballet.

Since I'm ramblin' on here, I might as well mention that my new flamenco dancer roommate and I practiced this afternoon....um, for like 2 minutes when the guy from the dental office downstairs came up and told us to keep it down. Oh well.

It's a shame isn't it? Finally now that my dream came true and a flamenco dancer moved in who also happens to be free during the day, we still can't practice in the dance studio that's right smack next to my room! The thing is that there are people that work in an office below the studio during the day.

Hmmm...we'll figure something out. Maybe we can practice in her room instead, which is on the second floor, and hope that the footwork won't be audible to the office people in the basement. Or, we can just wait until I come home after midnight from one of my weekly flamenco gigs. Dunno about that...my non-flamenco roommate is not going to like hearing flamenco guitar and footwork at 1:00 in da morning! hehe

Furia Flamenca at Dance DC Festival. October 1, 2006

Left to Right: Lillian Mattiacio, Amy Weimshapl, Heidi Thibodeaux, Ramona Jackson, Teresa Cepeda, Bala Veeraswami, Karina and Jennifer Carmichael observing the Pan-Asian dancers doing a processional around Dupont Circle. October 1, 2006

It's 12:31pm on Wednesday as I type these words. My friend Karina just sent me a bunch of pics from Furia Flamenca's performance at the Dance DC Festival which took place in Dupont Circle last Sunday. I'm the one who took these pics but I used her kick-ass camera to get the job done.

Anywayz, as you can imagine, it took me a while to sift through all the pics, edit and upload them. Plus since it's a beautiful day and since I've been in front of da computer all morning, I'm gonna skip the commentary this time, sign off and let the pics speak for themselves. Enjoy!

Photo captions courtesy of Karina.

For more info about Furia Flamenca, visit their website.

Left to Right: Daniel Paredez, Torcuato, Behzad, Estela. October 1, 2006

Lillian dancing alegrias con manton. October 1, 2006

Lillian with a different color manton--how did that happen? It's a trick. ;) October 1, 2006

Lillian in the spirit of the dance. October 1, 2006

Jennifer. October 1, 2006

Lillian showing off the manton. October 1, 2006

Lillian. October 1, 2006

Left to Right: Heidi, Katie, and Sylvia giving palmas in tangos. October 1, 2006

Left to Right: Bala, Teresa, Karina in tangos. October 1, 2006

Estela and Jennifer. October 1, 2006

Karina, Estela, and Jennifer. October 1, 2006

Katie. October 1, 2006

The men of Furia: Aref, Daniel and Bala. October 1, 2006

Sylvia, Lillian, and Daniel. October 1, 2006

Dana and Heidi dancing sevillanas. October 1, 2006

Sylvia and Estela. October 1, 2006

Left to Right: Amy, Katherine, Sylvia, and Lillian. October 1, 2006

Sylvia and Lillian in the escobilla of the alegrias. October 1, 2006

Sylvia, Lillian, and Katherine in the closing of the dance. October 1, 2006

I've got the night off tonight (Wednesday) but haven't decided if I'm gonna support my fellow flamencos at Thyme Square Cafe, Cubano's, Las Tapas or Jaleo or try something different. Tomorrow night (Thursday) I'll be performing with dancer Pam de Ocampo at Andalucía. Call 301-770-1880. Ciao!

October 3, 2006

Cafe Citron on Monday October 2, 2006

Mariya in soleá. October 2, 2006 9:37pm (photo by Fadi)

It's 12:37pm on Tuesday as I type these words. I was at Cafe Citron last night as usual. Wasn't much in a picture-taking mood--not a bad mood, just didn't feel like taking pics. So I just have a few--mostly taken by Fadi.

Just for the record, I did go to the DC Dance Festival on Sunday and took pics of Furia Flamenca's performance with my camera, but nothing decent came out--but I did take pics with my friend Karina's camera and I'm hoping she'll send me some of the better shots. So anywayz, I'll blog about that later.

Getting back to Citron...last night was kinda slow business-wise but my friends did come through for me and filled-up all the seats in front of the stage including Jill, Sarah, Karine, Iulia, Fadi, Keith and Ashoke.

I manually set my camera into what I call psychedelic mode (better known as slow sync flash), hehe, but I didn't warn Fadi when I handed him my camera before the second set. So he was expecting to see the standard focused, well-lit kind of pics, but instead got fuzzy, dark ones which kind of frustrated him. Sorry Fadi. :-) But I actually liked his pics. Tell me what you think...

October 2, 2006 9:37pm (photo by Fadi)

The way psychedelic mode works is that the initial flash freezes the action of the subject while the long exposure time allows the background to brighten up. When taking pics in a typically dimly lit nightclub, the flash will brighten the subject while the backround remains dark. An added artsy benefit of the long exposure of psychedelic mode is that the movement by the subject is also recorded.

October 2, 2006 9:38pm (photo by Fadi)

Yeah, I've had my friends take pics with no flash at all and with a very steady hand and arm was able to capture some very sharp warm natural light pics, but that mode drastically reduces the possibility of getting decent pics. On the other hand, the psychedlic mode gives the pics a dreamy kind of feel that I like and the blurriness actually looks cool!

Mariya. October 2, 2006 9:43pm (photo courtesy of Jill Hatzai)

But you've seen these slow sync flash type of pics in my blog before, I just never knew the technical term for it until my photographer friend Jill Hatzai explained it to me. Now I'm hooked on it!

Gerard. October 2, 2006 9:45pm (photo courtesy of Jill Hatzai)

Karine, Keith and Fadi. October 2, 2006 10:02pm

Jill and Miguelito. October 2, 2006 10:24pm (photo courtesy of Jill Hatzai)

Oops, just realized I didn't even write about flamenco today, now did I? It's OK, you learned something new and I fulfilled my educational service duty for the day. ;-)

Miguelito. October 2, 2006 10:26pm (photo courtesy of Jill Hatzai)

Bartender Antonio mixin' shots. October 2, 2006 10:36pm (photo courtesy of Jill Hatzai)

Mariya and Miguelito. October 2, 2006 10:44pm (photo courtesy of Jill Hatzai)

Jill and Miguelito. October 2, 2006 11:25pm

Oh yeah, the latest news is that my new flamenco dancer roommate has moved into the Pink Flamenco now, yay! As for tonight, I'll be at Las Tapas. See you there.

October 2, 2006

Tapeo on Saturday September 30, 2006

Pam de Ocampo and Mariya. September 30, 2006 8:43pm

Aw man, Saturday night was especially good! For the first time, we had the stage indoors since it was a bit on the chilly side outdoors. But we had to wait until the last minute to setup the sound and lights cuz the manager was trying to guage where the customers were gravitating--inside or outside? It was a close call cuz it wasn't that cold and in fact there were a few couples already dining out at the patio.

Anywayz, the cool thing was that Pam brought along a large group of friends, all filipinos too, yay! So we had our own personal cheering section and I had a wiilling group of volunteer photographers--my thanks to Pam's husband for taking pics with my camera. Pam's supposed to send me a few pics hopefully soon, Ahem! :-)

Anywayz, it's already 2-something pm now and I still have to shower, get dressed etc and head out, so I'll keep the commentary minimal...

September 30, 2006 8:44pm

September 30, 2006 8:45pm

September 30, 2006 8:48pm

September 30, 2006 8:49pm

September 30, 2006 8:49pm

September 30, 2006 8:51pm

Mariya, Miguelito and Pam. September 30, 2006 9:24pm (photo by Chris)

At da table con mis paisanos. September 30, 2006 10:01pm

Pam, Miguelito, Anna and Erica. September 30, 2006 10:47pm

On our way out, I made some new friends at the bar who wanted to go out to a club so I tagged along and ended up at this place called fur nightclub--my first time there! You know me. After flamenco, I absolutely love trance and techno and it so happened it was trance night.

October 1, 2006 1:36am

I took a couple of pics to give you an idea what it looks like. The music was loud and in a good way--I literally felt the bass pounding in my chest. hehe But I was reminded why, with my artist income, I hardly go to places like this: the parking was $20 and the cover was the same amount, ugh!

October 1, 2006 2:22am

October 1, 2006 2:28am

October 1 2006 2:33am

October 1, 2006 2:53am

Perfect music for da ride home. October 1, 2006 3:13am

OK, there you have it: two blog entries in one day! Time for me to head out. Tonight I'll be at Cafe Citron. See you!

Cabanas on Friday September 29, 2006

Esin, Ayhhan, Pam de Ocampo and Mariya. September 29, 2006 9:04pm

It's 10:46am on Monday as I type these words. Just getting around to catching up on blogging. Got myself a coffee and a donut from across the street to jolt my system--the sugar provides the glucose to get my brain in gear and the caffeine just wakes me up. Yeah, I know it's not the healthiest combination, but I just know that it works for me.

Anywayz, Friday was a good night business-wise. We had a couple of large parties including a wedding reception which requested one of those folding partition thingies to give them some privacy but when the flamenco show got started they promptly removed the partition themselves so they could watch. When my dancers Mariya and Pam de Ocampo came out, to the delight of the parents, the children that were out of control running around (Iike kids are supposed to do) sat on the floor or in their parents' laps to watch.

My friends Ayhan and Esin were there giving us moral support and they came all the way out from Ashburn, Virginia!

Tony Cibel, one of the partner owners of the harbour restaurants Tony and Joes, Nick's Riverside Grill and Cabanas, was there with a bunch of friends and family at a table next to the stage at his request. As soon as I played the intro to the opening Sevillanas, I heard the sound of chairs being repositioned in the direction of the stage.

To top it all off, I met this lovely couple who snagged a table by the stage. Turns out they came to Cabanas because of my website, yay! OK, so this couple is currently more into salsa but somehow in their search for info on salsa in DC my website came up. Oh well. They enjoyed themselves and promised they'd check out some of my other shows soon--I recommended Cafe Citron on Mondays since the DJ puts on some salsa.

So in the back of my mind I was hoping for an enthusiastic response from the audience so the owner could get a first-hand experience of what it's like on our better nights as performers. Sure enough we got it! Of course, gaining a receptive audience is something we can't control. If we have it, great. But we still have to do our job as performers and give them something to respond to, right?

Like any high performance activity, we had to clear our minds of extraneous thoughts and focus on the task at hand: connecting with each other artistically...

Aha! I was caught paying attention to the dancer. My thanks to the photographer. September 29, 2006 8:52pm (photo by Esin/Ayhan)

I'm not going to go into detail about the "clearing of the mind." Everyone does it differently. Some meditate. Some do Tai Chi. Some transform themselves instantly when they're in front of a live audience. As for myself, I've done this performance thing enough times that I don't have to use any "methods."

With experience, you realize that you have to treat each performance as a new beginning regardless of what has happened in the last set, or last week or five minutes ago. Performing at the top of your game so to speak takes a lot of mental energy, so you can't let all that extra crap get in the way. I say all this and I do have my moments where I have to remind myself to follow my own advice so don't nudge me on one of my bad nights and tell me "Dude you choked! I thought you were a maestro."

Actually, do nudge me. I need a kick in the butt every now and then.

Here I am connecting with Mariya. Thanks again to the photographer for capturing me in this crucial moment. September 29, 2006 9:54pm (photo by Esin/Ayhan)

Yeah I'm in wise-man mode, not that I am claiming to know it all, but I have do have a few pieces of advice I can give. This past Saturday, one of my dancer friends called me long-distance as she was about to go onstage for a major dance competition. She wanted me to give her some words of advice and encouragement. At the moment, I was in Georgetown enjoying the beautiful weather and the positive energy of the people leisurely walking up and down M street so I was in another world mentally speaking.

I caught a little off gaurd though. Given that I've cranked out a lot of good advice and inspiring words over the years through my website and this blog, I didn't deliver the goods when she put me on the spot. I gave her whatever advice that came to mind in that moment. And from the ensuing silence on the other side of the line, I could tell that my words of my supposed wisdom weren't exactly what she needed to hear.

Yeah, it bugged me that I didn't come through for her. But I had to let it go. There wasn't much else I could do via phone. And she's an experienced performer herself, so I had all the confidence that she'd figure out what was clogging up her spiritual gears.

Sometimes these situations happen at seemingly the wrong time like five minutes before going on stage. But sometimes this stress sort of thing is good cuz it gives you that adrenalin that we all need to give our performance that extra edge. Assuming you've done all the physical preparation of dilgent disciplined practice, you just have to trust yourself and mentally get out your own way. That's why we performers practice, practice and practice some more.

When we get out onstage there are so many possible unexpected obstacles that we may to face. There's no time to think. The music is inside of you. Let it guide you. Assuming you've done the preparatory physical work, your body and soul will take care of the rest. It's like being a symphonic conductor. You can't be running around personally correcting and directing each and every member of the orchestra. You just have to assume that everyone's done the groundwork. You're just there to bring it all together and guide it along.

OK, that's one down with one more to go. I'm going work on a quick blog entry about Saturday at Tapeo and I'm heading out to enjoy the beautiful day, squeeze in a few errands and get ready for my gig tonight at Cafe Citron. See you there!